Alternate titles may be variants found in sources other than that cited for a primary title, such as record catalogs, U. Copyright Office files, published discographies, the Alan Kelly files, blue history cards, or Victor ledgers, or they may be supplementary titles observed on a disc label. The ADP frequently consults digital scans of a micofilm set made of most of the blue history cards to complete Victor Company entries in the discography. Most blue history cards list matrix number, artist, and title as well as catalog number s. The artist and title listings on blue history cards are often in an abbreviated form. Many cards include composer names, the take s issued see also Take , when discs were issued and deleted from company catalogs, and an indication of the number of discs sold see also Number sold. The backs of many of the BHCs often include record label samples, adhered by glue.
Glossary of Terms
The beginning of the 47 series is a bit perplexing. The series was designated for childrens records but RCA Victor didn’t use many numbers. The series was skipped completely and the popular mono series starts at with a reissue of a 78 originally released in July of
This is one way you can date 78 records, as the earlier ones are only one-sided. Bluebird, Capitol, Columbia, Decca, Okeh, RCA Victor (See also Victor).
RCA custom pressed a large number of local label records across the United States from the early ‘s on. Their pressing plant in Indianapolis, Indiana pressed ‘s of local label releases in the area throughout the ‘s, 60’s and 70’s. There is a code in the RCA matrix numbers that identifies when the record was mastered it was usually pressed and released immediately thereafter. The code is located in the first letter and number of the eight digit matrix number up to In , RCA changed it’s system slightly so that the first letter alone represented the year.
The following chart shows the dating information from to
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According to the Almost Complete 78 rpm Record Dating Guide by For example, very early s Caruso recordings on Victor Red Seal.
To return to front page, click here. See Frank Andrews, HD Three 5. The discs were pressed by Columbia. Six books were advertised here in November at 7s 6d each Eventually 12 were sold here.
It is the second-oldest record label in American history, after sister label Columbia Records. In , the Radio Corporation of America RCA purchased the Victor Talking Machine Company , then the world’s largest manufacturer of phonographs including the famous ” Victrola ” and phonograph records in British English , “gramophone records”. The company then became RCA Victor. The format was abandoned by , and two-speed turntables were no longer offered, but some Program Transcriptions lingered in the Victor record catalog until the end of the s.
During the early part of the Depression, RCA Victor made a number of attempts to create a successful cheap label to compete with the “dime store labels” Perfect , Oriole , Banner , Melotone , etc.
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Some older formats, though, run at 78 RPM. Okeh Records announces its first release from singer, trumpeter, and songwriter Bria Skonberg. While they are fine for flexible vinyl records, they are too thin to offer sufficient protection to fragile antique 78s, and all but ensure that they will break in shipping. Amazing place, operated by two older gentlemen, with Radio 3 playing quietly in the background.
Among those are a number of releases by the Beatles on Parlophone. Victor Phonographs will play any laterally-cut 78 RPM record. The base and sides are accurately machined and ground. Will sell as one job lot of all rec. The recordings span many genres, including classical, pop, rock, jazz, and opera – from 78s produced in the early s to LPs from the s. Features a record search service for rare vinyl. At Nauck’s Vintage Records, Everybuddy’s a winner!
I do consignment or will buy outright. Who Buys Records Near Me.
Encyclopedic Discography of Victor Recordings Project History
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record label, Group: Jimmie Rodgers. Label: Victor, Matrix Number: Victor (). Record Type: Double sided 10 inch 78 RPM. Date Recorded: June 12,
This is the page to start with if you are looking for some general information concerning value, age or identification of your records, sheet music or phonographs. It’s also a good place for beginning collectors to get some ideas about the hobby. We have included the questions we are asked most often, and have provided fairly detailed responses. This is almost impossible to answer without seeing the records in person.
Factors such as condition, edition, and even certain variations in the label design can greatly affect the value of any record. However, here is a general guideline that may be helpful. If the record is a well known song by a well known artist, then it probably is not valuable, regardless of its age. For an example, let’s use Louis Armstrong, the great jazz trumpeter.
During his long career, he recorded hundreds of titles, many of which sold more than a million copies throughout the US. That leaves , copies still in circulation, which hardly qualifies it as a rare record. This is not to say that all of Armstrong’s records are common. This record was pressed in small quantities, had limited distribution, and is quite scarce today.
Now, consider this for a moment.
The 78rpm Record Home Page
Please email if you have questions, corrections or comments on anything you see. Victor was the dominant figure in the record and phonograph market in the early s. There is much published about them so I will not attempt to tell the story here. Victor was started by Eldridge R.
78s can be the most difficult, and the most rewarding, records to collect. what’s out there, how to date them, and what types might be interesting or valuable. Picture discs made by other companies, including RCA Victor, are rarer and can.
The Victor-Victrola Page. As an overview of phonograph records:. There were many types of phonograph records produced by the millions from before up until the present. These took-on many different appearances and designs, but in general:. Invented in by Thomas Edison and produced up until the late ‘s; the cylinder recording was the first commercial medium for recorded sound. See picture on lower right.
Note that there some disc recordings which operate at rotational speeds from 60 to 80 RPM, but 78 RPM became the ‘standard’ by the ‘s. There were several variants see pictures below :. Early Rubber-Based Discs: these were typically small 7″ single-sided records used on the earliest phonographs. Extremely fragile, and typically with high surface noise. Shellac Discs: made from the late ‘s through the mid’s, these records could often be played on both sides, and ranged in diameter from 7″ up to 14″ or larger.
These are also brittle and can be easily broken, but sound quality improved significantly after when electrical recording methods were introduced. These records had an improved sound quality and less surface noise than their shellac predecessors, and were considerably less fragile.
McDermott Record collection (rppc_mcdermott)
Series I. Enrico Caruso Box 1 This series consists of 25 78 r. The albums were produced by the Victor Talking Machine Co. The date noted for each recording represents the date the song was first recorded by Caruso. Enrico Caruso was born on February 25, , in Naples, Italy. One of seven children and only one of three who made it to adolescence , he was a bright and precocious child who had a talent for singing.
the era of the 78s. See more ideas about Lp albums, 78 rpm records, Music history. His Master’s Voice, the logo of the Victor Recording Company and later RCA Victor, Blog Archive» FIRST VICTROLA SOLD ON THIS DATE IN
Moran, in the early s. Fagan, a United Nations interpreter, and Mr. Moran, a geologist for the oil industry, both collected recordings primarily classical music and shared their dismay over the lack of information available about Victor Red Seal records. Corresponding by post for a number of years, they conceived a project to document every Victor classical recording.
According to Mr. Fagan’s introduction to the second and last published volume of their discography, as he and Mr. Moran developed their classical music discography they came to recognize that there would be equal interest by scholars and collectors in the recording sessions that surrounded Victor’s classical music recording sessions. They recognized that to limit their publication to the classical sessions would have been “inappropriate,” and that the complete historical context of Victor’s history, the “total picture,” was necessary.
With that realization, they expanded their goal to document every Victor recording session for 78rpm discs. In , Mr. Fagan devoted many thousands of hours to compiling lists of the tens of thousands of Victor master recording sessions.